What happens when you make space for Native Americans to tell their stories in their own way? How can small museums engage with Native communities? What does a successful collaboration of large and small institutions look like? How do you prepare for sharing stories about an intensely traumatic subject like massacre? How do you measure the impact? This session presents a case study on “One November Morning,” a traveling exhibition created by Cheyenne and Arapaho artists to commemorate the 150th anniversary of the Sand Creek Massacre of 1864.

George Levi, Katie Anderson, Roben White, Steven Fountain